<?xml version="1.0" encoding="utf-8" ?>
<?xml-stylesheet href="/css/rss10.xsl" type="text/xsl"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#"
         xmlns="http://purl.org/rss/1.0/"
         xmlns:dc="http://purl.org/dc/elements/1.1/"
         xmlns:enc="http://purl.oclc.org/net/rss_2.0/enc#"
         xmlns:media="http://search.yahoo.com/mrss/" xmlns:pheedo="http://www.pheedo.com/namespace/pheedo">
	<channel rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures">
		<title>MIT OpenCourseWare: New Courses in Foreign Languages and Literatures</title>
		<description>New courses in Foreign Languages and Literatures from MIT OpenCourseWare, provider of free and open MIT course materials.</description>
		<link>http://ocw.mit.edu/courses/foreign-languages-and-literatures</link>
		<dc:date>2013-06-14T17:40:23+05:00</dc:date>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:language>en-US</dc:language>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
		<items>
			<rdf:Seq>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-027-asia-in-the-modern-world-images-representations-spring-2012"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-068j-the-invention-of-french-theory-a-history-of-transatlantic-intellectual-life-since-1945-spring-2012"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-064-intro-to-japanese-culture-spring-2012"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-325j-new-culture-of-gender-queer-france-fall-2011"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-802-portuguese-ii-spring-2012"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-315-cross-cultural-perspectives-on-contemporary-french-society-fall-2011"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-040-a-passage-to-india-introduction-to-modern-indian-culture-and-society-spring-2012"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-801-portuguese-i-fall-2011"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-044-classics-of-chinese-literature-fall-2011"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-405-germany-today-intensive-study-of-german-language-and-culture-january-iap-2011"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-312-basic-themes-in-french-literature-and-culture-spring-2011"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-740-the-new-spain-1977-present-spring-2010"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-035-topics-in-culture-and-globalization-reggae-as-transnational-culture-fall-2010"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-501-japanese-i-fall-2009"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-076-globalization-the-good-the-bad-and-the-in-between-fall-2009"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-412-texts-topics-and-times-in-german-literature-fall-2009"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-504-japanese-iv-spring-2009"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-401-german-i-fall-2008"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-716-introduction-to-contemporary-hispanic-literature-fall-2007"/>
				<rdf:li rdf:resource="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-059-european-thought-and-culture-spring-2008"/>
			</rdf:Seq>
		</items>
	</channel>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-027-asia-in-the-modern-world-images-representations-spring-2012">
		<title>21F.027 Asia in the Modern World: Images &amp; Representations (MIT)</title>
		<description>Asia in the Modern World: Images and Representations examines visual representations of Asia, interpreting them from both historical and modern contexts. This course is based around using the Visualizing Cultures website. Case studies focus on Japan and China from the mid-19th to the mid-20th centuries.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=68dcb8e8cebd011ddbad2f9f70031e4b</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-027-asia-in-the-modern-world-images-representations-spring-2012</pheedo:origLink>
		<dc:creator>Dower, John</dc:creator>
		<dc:creator>Miyagawa, Shigeru</dc:creator>
		<dc:date>2013-05-04T22:27:43+05:00</dc:date>
		<dc:relation>21F.027</dc:relation>
		<dc:relation>21F.590</dc:relation>
		<dc:relation>21H.250</dc:relation>
		<dc:relation>CMS.874</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>boxer rebellion</dc:subject>
		<dc:subject>chinese history</dc:subject>
		<dc:subject>japanese history</dc:subject>
		<dc:subject>sino-japanese war</dc:subject>
		<dc:subject>russo-japanese war</dc:subject>
		<dc:subject>visualizing cultures</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-068j-the-invention-of-french-theory-a-history-of-transatlantic-intellectual-life-since-1945-spring-2012">
		<title>21F.068J The Invention of French Theory: A History of Transatlantic Intellectual Life since 1945 (MIT)</title>
		<description>In the decades following the Second World War, a cluster of extraordinary French thinkers were widely translated and read in American universities. Their works were soon labeled as &amp;quot;French Theory.&amp;quot; Why would sharing the same nationality make authors such as Lacan, Cixous, Derrida, Foucault or Debord, ambassadors of a specifically &amp;quot;French&amp;quot; theory? The course will explore the maze of transatlantic intellectual debates since 1945 and the heyday of French existentialism. We will study the debates on communism, decolonization, neo‐liberalism, gender, youth culture and mass media. This course is taught in English.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=c45b985ea7aea4241c07aefdcecbc518</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-068j-the-invention-of-french-theory-a-history-of-transatlantic-intellectual-life-since-1945-spring-2012</pheedo:origLink>
		<dc:creator>Perreau, Bruno</dc:creator>
		<dc:date>2013-01-25T15:09:28+05:00</dc:date>
		<dc:relation>21F.068J</dc:relation>
		<dc:relation>WGS.234J</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>French Theory</dc:subject>
		<dc:subject>postcolonial France</dc:subject>
		<dc:subject>existentialism</dc:subject>
		<dc:subject>Lacan</dc:subject>
		<dc:subject>Camus</dc:subject>
		<dc:subject>Sartre</dc:subject>
		<dc:subject>Debord</dc:subject>
		<dc:subject>Foucault</dc:subject>
		<dc:subject>Derrida</dc:subject>
		<dc:subject>Barthes</dc:subject>
		<dc:subject>Bourdieu</dc:subject>
		<dc:subject>Lyotard</dc:subject>
		<dc:subject>Simone de Beauvoir</dc:subject>
		<dc:subject>Eribon</dc:subject>
		<dc:subject>Blanchot</dc:subject>
		<dc:subject>Franz Fanon</dc:subject>
		<dc:subject>neo-liberalism</dc:subject>
		<dc:subject>gender</dc:subject>
		<dc:subject>communism</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-064-intro-to-japanese-culture-spring-2012">
		<title>21F.064 Intro to Japanese Culture (MIT)</title>
		<description>This course examines the major aesthetic, social, and political elements which have  shaped modern Japanese culture and society. There are readings on contemporary  Japan and historical evolution of the culture are coordinated with study  of literary texts, film, and art, along with an analysis of everyday  life and leisure activities.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=343589a0ef811ac0328b7f2548ee3260</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-064-intro-to-japanese-culture-spring-2012</pheedo:origLink>
		<dc:creator>Condry, Ian</dc:creator>
		<dc:date>2013-01-11T12:54:31+05:00</dc:date>
		<dc:relation>21F.064</dc:relation>
		<dc:relation>21F.592</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>Japan</dc:subject>
		<dc:subject>Japanese culture</dc:subject>
		<dc:subject>otaku</dc:subject>
		<dc:subject>tale of heike</dc:subject>
		<dc:subject>tale of genji</dc:subject>
		<dc:subject>hiroshima</dc:subject>
		<dc:subject>modern japan</dc:subject>
		<dc:subject>history of japan</dc:subject>
		<dc:subject>anime</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-325j-new-culture-of-gender-queer-france-fall-2011">
		<title>21F.325J New Culture of Gender: Queer France (MIT)</title>
		<description>This course addresses the place of contemporary queer identities in French discourse and discusses the new generation of queer authors and their principal concerns. Class discussions and readings will introduce students to the main classical references of queer subcultures, from Proust and Vivien to Hocquenghem and Wittig. Throughout the course, students will examines current debates on post-colonial and globalized queer identities through essays, songs, movies, and novels. Authors covered include Didier Eribon, Anne Garréta, Abdellah Taïa, Anne Scott, and Nina Bouraoui. This class is taught in French.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=414d29fa4830f44d83692835f07c9bc3</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-325j-new-culture-of-gender-queer-france-fall-2011</pheedo:origLink>
		<dc:creator>Perreau, Bruno</dc:creator>
		<dc:date>2012-12-19T11:08:54+05:00</dc:date>
		<dc:relation>21F.325J</dc:relation>
		<dc:relation>WGS.233J</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>queer identities</dc:subject>
		<dc:subject>French</dc:subject>
		<dc:subject>Proust</dc:subject>
		<dc:subject>Vivien</dc:subject>
		<dc:subject>Hocquenghem</dc:subject>
		<dc:subject>Wittig</dc:subject>
		<dc:subject>post-colonial</dc:subject>
		<dc:subject>essays</dc:subject>
		<dc:subject>films</dc:subject>
		<dc:subject>novels</dc:subject>
		<dc:subject>Didier Eribon</dc:subject>
		<dc:subject>Duras</dc:subject>
		<dc:subject>homosexualité</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-802-portuguese-ii-spring-2012">
		<title>21F.802 Portuguese II (MIT)</title>
		<description>This course is a continuation of 21F.801. It focuses on expanding communication skills and further development of linguistic competency using a variety of authentic sources, such as the Internet, audio, video, and printed materials, to help develop cultural awareness and linguistic proficiency. This course is conducted entirely in Portuguese.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=9c410546de5f79a342e6b6ac4380efe0</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-802-portuguese-ii-spring-2012</pheedo:origLink>
		<dc:creator>Dominique, Nilma</dc:creator>
		<dc:date>2012-11-19T15:24:24+05:00</dc:date>
		<dc:relation>21F.802</dc:relation>
		<dc:relation>21F.852</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>Portuguese</dc:subject>
		<dc:subject>Brazil</dc:subject>
		<dc:subject>Brazilian</dc:subject>
		<dc:subject>languages</dc:subject>
		<dc:subject>foreign languages</dc:subject>
		<dc:subject>grammar</dc:subject>
		<dc:subject>listening</dc:subject>
		<dc:subject>speaking</dc:subject>
		<dc:subject>reading</dc:subject>
		<dc:subject>writing</dc:subject>
		<dc:subject>vocabulary</dc:subject>
		<dc:subject>dialogues</dc:subject>
		<dc:subject>Brazilian music</dc:subject>
		<dc:subject>Brazilian culture</dc:subject>
		<dc:subject>lusophone</dc:subject>
		<dc:subject>lusophone culture</dc:subject>
		<dc:subject>entrevista</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-315-cross-cultural-perspectives-on-contemporary-french-society-fall-2011">
		<title>21F.315 Cross-Cultural Perspectives on Contemporary French Society (MIT)</title>
		<description>This course is an intermediate subject designed to help students gradually build an in-depth understanding of France. The course focuses on French attitudes and values regarding education, work, family and institutions, and deals with the differing notions that underlie interpersonal interactions and communication styles, such as politeness, friendship and formality. Using a Web comparative, cross-cultural approach, students explore a variety of French and American materials, then analyze and compare them using questionnaires, opinion polls, news reports (in different media), as well as a variety of historical, anthropological and literary texts. Throughout the course, attention is given to the development of relevant linguistics skills. This course is recommended for students planning to study and work in France and is taught in French.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=3e88800a6acfd528f801d264cddffbd8</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-315-cross-cultural-perspectives-on-contemporary-french-society-fall-2011</pheedo:origLink>
		<dc:creator>Levet, Sabine</dc:creator>
		<dc:date>2012-06-25T13:31:23+05:00</dc:date>
		<dc:relation>21F.315</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>foreign languages</dc:subject>
		<dc:subject>French</dc:subject>
		<dc:subject>la société française</dc:subject>
		<dc:subject>culture française contemporaine</dc:subject>
		<dc:subject>cross-cultural</dc:subject>
		<dc:subject>stéréotypes</dc:subject>
		<dc:subject>media</dc:subject>
		<dc:subject>comparative cultures</dc:subject>
		<dc:subject>values</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-040-a-passage-to-india-introduction-to-modern-indian-culture-and-society-spring-2012">
		<title>21F.040 A Passage to India: Introduction to Modern Indian Culture and Society (MIT)</title>
		<description>This course is an introduction to modern Indian culture and society through films, documentaries, short stories, novels, poems, and journalistic writing. The principal focus is on the study of major cultural developments and social debates in the last sixty five years of history through the reading of literature and viewing of film clips. The focus will be on the transformations of gender and class issues, representation of nationhood, the idea of regional identities and the place of the city in individual and communal lives. The cultural and historical background will be provided in class lectures. The idea is to explore the &amp;quot;other Indias&amp;quot; that lurk behind our constructed notion of a homogeneous national culture.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=7422807e75f1688b91b0a5a107217a2d</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-040-a-passage-to-india-introduction-to-modern-indian-culture-and-society-spring-2012</pheedo:origLink>
		<dc:creator>Sharma, Sunil H.</dc:creator>
		<dc:date>2012-06-22T13:04:33+05:00</dc:date>
		<dc:relation>21F.040</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>contemporary India</dc:subject>
		<dc:subject>film</dc:subject>
		<dc:subject>writers</dc:subject>
		<dc:subject>IT revolution</dc:subject>
		<dc:subject>documentaries</dc:subject>
		<dc:subject>Indian culture</dc:subject>
		<dc:subject>globalization</dc:subject>
		<dc:subject>Indian cities</dc:subject>
		<dc:subject>political events</dc:subject>
		<dc:subject>social events</dc:subject>
		<dc:subject>nationhood</dc:subject>
		<dc:subject>gender and class issues</dc:subject>
		<dc:subject>rural India</dc:subject>
		<dc:subject>urban India</dc:subject>
		<dc:subject>Devdas</dc:subject>
		<dc:subject>Mukul Kesavan</dc:subject>
		<dc:subject>Deepa Mehta</dc:subject>
		<dc:subject>Chetan Bhagat</dc:subject>
		<dc:subject>Salman Rushdie</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-801-portuguese-i-fall-2011">
		<title>21F.801 Portuguese I (MIT)</title>
		<description>This course provides an introduction to the language and culture of the Portuguese-speaking world, with special attention to Brazilian Portuguese. This course focuses are on basic oral expression, listening comprehension, and elementary reading and writing. Students develop their vocabulary and understanding of grammatical concepts through active communication. This is a coordinated language lab program and is designed for students with no knowledge of Portuguese. Class is conducted entirely in Portuguese.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=09c35580bc2c873b7081f1cbc84f6313</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-801-portuguese-i-fall-2011</pheedo:origLink>
		<dc:creator>Dominique, Nilma</dc:creator>
		<dc:date>2012-06-04T15:15:34+05:00</dc:date>
		<dc:relation>21F.801</dc:relation>
		<dc:relation>21F.851</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>Portuguese</dc:subject>
		<dc:subject>Brazil</dc:subject>
		<dc:subject>Brazilian</dc:subject>
		<dc:subject>languages</dc:subject>
		<dc:subject>foreign languages</dc:subject>
		<dc:subject>basic vocabulary</dc:subject>
		<dc:subject>speaking</dc:subject>
		<dc:subject>dialogues</dc:subject>
		<dc:subject>Brazilian music</dc:subject>
		<dc:subject>Brazilian culture</dc:subject>
		<dc:subject>lusophone</dc:subject>
		<dc:subject>lusophone culture</dc:subject>
		<dc:subject>entrevista</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-044-classics-of-chinese-literature-fall-2011">
		<title>21F.044 Classics of Chinese Literature (MIT)</title>
		<description>This course is an introduction to three of the major genres of traditional Chinese literature&amp;mdash;poetry, fiction and drama, with a focus on vernacular fiction. We will read translations of a number of the &amp;quot;masterworks&amp;quot; of Chinese literature. We will also examine the intertextuality between these genres &amp;mdash; how poetry blends into narrative, how fiction becomes drama, and drama inspires fiction. Through reading these selected works of traditional Chinese literature, we will examine some of the major features of traditional Chinese society: religious and philosophical beliefs, the imperial system and dynastic change, gender relations, notions of class and ethnicity, family, romance and sexuality. All works are read in translation; no language background is necessary.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=3b28c3aa06a5f214cf95b0cbad9e31e2</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-044-classics-of-chinese-literature-fall-2011</pheedo:origLink>
		<dc:creator>Teng, Emma</dc:creator>
		<dc:date>2012-05-16T08:16:48+05:00</dc:date>
		<dc:relation>21F.044</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>chinese poetry</dc:subject>
		<dc:subject>chinese culture</dc:subject>
		<dc:subject>chinese</dc:subject>
		<dc:subject>novel</dc:subject>
		<dc:subject>the story of the western wing</dc:subject>
		<dc:subject>three kingdoms</dc:subject>
		<dc:subject>outlaws of the marsh</dc:subject>
		<dc:subject>the journey to the west</dc:subject>
		<dc:subject>the story of the stone</dc:subject>
		<dc:subject>monkey</dc:subject>
		<dc:subject>film adaptation</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-405-germany-today-intensive-study-of-german-language-and-culture-january-iap-2011">
		<title>21F.405 Germany Today: Intensive Study of German Language and Culture (MIT)</title>
		<description>Prepares students for working and living in German-speaking countries. Focus on current political, social, and cultural issues, using newspapers, journals, TV, radio broadcasts, and Web sources from Germany, Austria, and Switzerland. Emphasis on speaking, writing, and reading skills for professional contexts. Activities include: oral presentations, group discussions, guest lectures, and interviews with German speakers. No listeners.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=8078bc9367356f14c81bd4db5cc663e2</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-405-germany-today-intensive-study-of-german-language-and-culture-january-iap-2011</pheedo:origLink>
		<dc:creator>Crocker, Ellen</dc:creator>
		<dc:date>2012-01-05T14:53:38+05:00</dc:date>
		<dc:relation>21F.405</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>german</dc:subject>
		<dc:subject>switzerland</dc:subject>
		<dc:subject>austria</dc:subject>
		<dc:subject>contemporary culture</dc:subject>
		<dc:subject>politics</dc:subject>
		<dc:subject>society</dc:subject>
		<dc:subject>speaking</dc:subject>
		<dc:subject>reading</dc:subject>
		<dc:subject>writing</dc:subject>
		<dc:subject>literature</dc:subject>
		<dc:subject>language</dc:subject>
		<dc:subject>media</dc:subject>
		<dc:subject>intermediate</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-312-basic-themes-in-french-literature-and-culture-spring-2011">
		<title>21F.312 Basic Themes in French Literature and Culture (MIT)</title>
		<description>Childhood is a source of fascination in most Western cultures. It is both a major inspiration for artistic creation and a political ideal, which aims at protecting future generations. Which role does it play in French society and in other francophone areas? Why is the French national anthem ("La Marseillaise") addressed to its "children"? This course will study the transformation of childhood since the 18th century and the development of sentimentality within the family. We will examine various representations of childhood in literature (e.g. Pagnol, Proust, Sarraute, Laye, Morgièvre), movies (e.g. Truffaut), and songs (e.g. Brel, Barbara). Course taught in French.
</description>
		<link>http://www.pheedcontent.com/click.phdo?i=f0ba8fcc11c61aec51d05ccb4fd6c570</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-312-basic-themes-in-french-literature-and-culture-spring-2011</pheedo:origLink>
		<dc:creator>Perreau, Bruno</dc:creator>
		<dc:date>2011-12-19T14:34:13+05:00</dc:date>
		<dc:relation>21F.312</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>French</dc:subject>
		<dc:subject>Romain Gary</dc:subject>
		<dc:subject>literature</dc:subject>
		<dc:subject>l'enfance</dc:subject>
		<dc:subject>cultural studies</dc:subject>
		<dc:subject>films</dc:subject>
		<dc:subject>France</dc:subject>
		<dc:subject>société</dc:subject>
		<dc:subject>françaises</dc:subject>
		<dc:subject>historique</dc:subject>
		<dc:subject>La République</dc:subject>
		<dc:subject>littéraire</dc:subject>
		<dc:subject>filmique</dc:subject>
		<dc:subject>textes</dc:subject>
		<dc:subject>chansons</dc:subject>
		<dc:subject>identité Française</dc:subject>
		<dc:subject>Truffaut</dc:subject>
		<dc:subject>sexe et sexualité</dc:subject>
		<dc:subject>la guerre</dc:subject>
		<dc:subject>la vie devant soi</dc:subject>
		<dc:subject>les médias de masse</dc:subject>
		<dc:subject>l'enfant roi</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-740-the-new-spain-1977-present-spring-2010">
		<title>21F.740 The New Spain: 1977-Present (MIT)</title>
		<description>In this class we will come to understand the vast changes in Spanish life that have taken place since Franco's death in 1975. We will focus on the new freedom from censorship, the re-emergence of movements for regional autonomy, the new cinema, reforms in education and changes in daily life: sex roles, work, and family that have occurred in the last decade. In so doing, we will examine myths that are often considered commonplaces when describing Spain and its people.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=ad149b3e5abc2d9fc1e001f28945efa9</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-740-the-new-spain-1977-present-spring-2010</pheedo:origLink>
		<dc:creator>Resnick, Margery</dc:creator>
		<dc:date>2011-06-24T15:08:54+05:00</dc:date>
		<dc:relation>21F.740</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>modern Spain</dc:subject>
		<dc:subject>Spanish Civil War</dc:subject>
		<dc:subject>Franco</dc:subject>
		<dc:subject>censorship</dc:subject>
		<dc:subject>regional autonomy</dc:subject>
		<dc:subject>Basque</dc:subject>
		<dc:subject>Catalonia</dc:subject>
		<dc:subject>Pedro Almodóvar</dc:subject>
		<dc:subject>educational reform</dc:subject>
		<dc:subject>feminism</dc:subject>
		<dc:subject>magazines</dc:subject>
		<dc:subject>newspapers</dc:subject>
		<dc:subject>films</dc:subject>
		<dc:subject>television</dc:subject>
		<dc:subject>fiction</dc:subject>
		<dc:subject>Roman Catholic Church</dc:subject>
		<dc:subject>Juan Carlos</dc:subject>
		<dc:subject>constitution</dc:subject>
		<dc:subject>reform</dc:subject>
		<dc:subject>revolution</dc:subject>
		<dc:subject>democratic transition</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-035-topics-in-culture-and-globalization-reggae-as-transnational-culture-fall-2010">
		<title>21F.035 Topics in Culture and Globalization: Reggae as Transnational Culture (MIT)</title>
		<description>This course considers reggae, or Jamaican popular music more generally&amp;mdash;in its various forms (ska, rocksteady, roots, dancehall)&amp;mdash;as constituted by international movements and exchanges and as a product that circulates globally in complex ways. By reading across the reggae literature, as well as considering reggae texts themselves (songs, films, videos, and images), students will scrutinize the different interpretations of reggae's significance and the implications of different interpretations of the story of Jamaica and its music. Beginning with a consideration of how Jamaica's popular music industry emerged out of transnational exchanges, the course will proceed to focus on reggae's circulation outside of Jamaica via diasporic networks and commercial mediascapes. Among other sites, we will consider reggae's resonance and impact elsewhere in the Anglo Caribbean (e.g., Trinidad, Barbados), the United Kingdom (including British reggae styles but also such progeny as jungle, grime, and dubstep), the United States (both as reggae per se and in hip-hop), Panama and Puerto Rico and other Latin American locales (e.g., Brazil), Japan and Australia, as well as West, South, and East Africa (Côte d'Ivoire, Tanzania, Uganda).</description>
		<link>http://www.pheedcontent.com/click.phdo?i=83d2ff174e6301f036a060a0f82f6c8d</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-035-topics-in-culture-and-globalization-reggae-as-transnational-culture-fall-2010</pheedo:origLink>
		<dc:creator>Marshall, Wayne</dc:creator>
		<dc:date>2011-06-24T14:26:50+05:00</dc:date>
		<dc:relation>21F.035</dc:relation>
		<dc:relation>21F.037</dc:relation>
		<dc:relation>21M.539</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>reggae</dc:subject>
		<dc:subject>world culture</dc:subject>
		<dc:subject>globalization</dc:subject>
		<dc:subject>Rastafari</dc:subject>
		<dc:subject>Jamaica</dc:subject>
		<dc:subject>Caribbean music</dc:subject>
		<dc:subject>African diaspora</dc:subject>
		<dc:subject>hip-hop</dc:subject>
		<dc:subject>identity</dc:subject>
		<dc:subject>race</dc:subject>
		<dc:subject>ethnicity</dc:subject>
		<dc:subject>nationalism</dc:subject>
		<dc:subject>gender</dc:subject>
		<dc:subject>sexuality</dc:subject>
		<dc:subject>religion</dc:subject>
		<dc:subject>Bob Marley</dc:subject>
		<dc:subject>dancehall</dc:subject>
		<dc:subject>reggaeton</dc:subject>
		<dc:subject>roots</dc:subject>
		<dc:subject>ska</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-501-japanese-i-fall-2009">
		<title>21F.501 Japanese I (MIT)</title>
		<description>This course covers Japanese: The Spoken Language Lessons 1 through 6, providing opportunities to acquire basic skills for conversation, reading and writing. The program emphasizes active command of Japanese, not passive knowledge. The goal is not simply to study the grammar and vocabulary, but to improve the ability to use Japanese accurately and appropriately with fluency. Students will learn 56 Kanji characters in this course, as well as introducing Hiragana and Katakana.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=cb5b4e5a6e684e4ed46646c80c725850</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-501-japanese-i-fall-2009</pheedo:origLink>
		<dc:creator>Nagaya, Yoshimi</dc:creator>
		<dc:creator>Ikeda-Lamm, Masami</dc:creator>
		<dc:creator>Shingu, Ikue</dc:creator>
		<dc:date>2011-03-03T15:13:27+05:00</dc:date>
		<dc:relation>21F.501</dc:relation>
		<dc:relation>21F.551</dc:relation>
		<dc:relation>21F.571</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-076-globalization-the-good-the-bad-and-the-in-between-fall-2009">
		<title>21F.076 Globalization: the Good, the Bad, and the In-Between (MIT)</title>
		<description>This subject examines the paradoxes of contemporary globalization. Through lectures, discussions and student presentations, we will study the cultural, linguistic, social and political impact of globalization across broad international borders and on specific language communities. We will consider answers to key questions such as: What are the contending definitions of globalization? What are the principal agents of change? How have those agents of change been transformed in our contemporary world? What's new, what's hybrid, and what's traditional? What does it mean to be a world citizen? How can world citizens preserve cultural specificity?</description>
		<link>http://www.pheedcontent.com/click.phdo?i=810cfd7417086204a219b1b493b281a5</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-076-globalization-the-good-the-bad-and-the-in-between-fall-2009</pheedo:origLink>
		<dc:creator>Resnick, Margery</dc:creator>
		<dc:creator>Tang, Patricia</dc:creator>
		<dc:date>2011-01-12T10:44:15+05:00</dc:date>
		<dc:relation>21F.076</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>global economy</dc:subject>
		<dc:subject>labor market</dc:subject>
		<dc:subject>colonization</dc:subject>
		<dc:subject>empire</dc:subject>
		<dc:subject>trade</dc:subject>
		<dc:subject>world music</dc:subject>
		<dc:subject>cuisine</dc:subject>
		<dc:subject>sports</dc:subject>
		<dc:subject>sex work</dc:subject>
		<dc:subject>podcasts</dc:subject>
		<dc:subject>Islamic Spain</dc:subject>
		<dc:subject>architecture</dc:subject>
		<dc:subject>Silk Road</dc:subject>
		<dc:subject>cultural appropriation</dc:subject>
		<dc:subject>exotification</dc:subject>
		<dc:subject>authenticity</dc:subject>
		<dc:subject>immigration</dc:subject>
		<dc:subject>assimilation</dc:subject>
		<dc:subject>anime</dc:subject>
		<dc:subject>capitalism</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-412-texts-topics-and-times-in-german-literature-fall-2009">
		<title>21F.412 Texts, Topics, and Times in German Literature (MIT)</title>
		<description>In diesem Kurs erhalten Sie einen Überblick über einige wichtige literarische Texte, Tendenzen und Themen aus der deutschsprachigen Literatur- und Kulturszene. Wir werden literarische Texte, Gedichte, Theaterstücke und Essays untersuchen, sowie andere ästhetische Formen besprechen, wie Film und Architektur. Da alle Texte gleichzeitig in ihrem spezifischen kulturellen Kontext gelesen werden, tragen sie zu einem Verständnis von verschiedenen historischen Aspekten bei. Unter anderen werden folgende Themen und Fragestellungen besprochen: Technologie und deren Einfluss auf die Gesellschaft, Fragen der Ethik bei wissenschaftlicher Arbeit, Konstruktion von nationaler Geschichte und kollektivem Gedächtnis.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=22660144188f10dde17c47b0eac6c6b0</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-412-texts-topics-and-times-in-german-literature-fall-2009</pheedo:origLink>
		<dc:creator>Jaeger, Dagmar</dc:creator>
		<dc:date>2010-06-10T15:29:19+05:00</dc:date>
		<dc:relation>21F.412</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>modern German literature</dc:subject>
		<dc:subject>lyric poetry</dc:subject>
		<dc:subject>drama</dc:subject>
		<dc:subject>film</dc:subject>
		<dc:subject>poetry</dc:subject>
		<dc:subject>radio plays</dc:subject>
		<dc:subject>architecture</dc:subject>
		<dc:subject>translation and interpretation</dc:subject>
		<dc:subject>essays</dc:subject>
		<dc:subject>cultural context</dc:subject>
		<dc:subject>scientific ethics</dc:subject>
		<dc:subject>society &amp; technology</dc:subject>
		<dc:subject>construction of national history</dc:subject>
		<dc:subject>the Holocaust</dc:subject>
		<dc:subject>20th century Germany</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-504-japanese-iv-spring-2009">
		<title>21F.504 Japanese IV (MIT)</title>
		<description>This course covers Japanese: The Spoken Language lessons 17 through 22. It will further develop the four basic skills, speaking, listening, reading and writing, that students have acquired through Japanese I, II and III courses, with emphasis on oral communication skills in various practical situations. Students will learn approximately 100 Kanji characters in this course. Sessions in English cover grammar explanation, socio-cultural information and other important issues for using the language, while Japanese lessons focus on the actual use of the language, integrating students' prior knowledge with newly learned patterns, and communicating within the frame given in the class.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=a801fdde6d921af426d1c0f85c51514f</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-504-japanese-iv-spring-2009</pheedo:origLink>
		<dc:creator>Shingu, Ikue</dc:creator>
		<dc:creator>Nagaya, Yoshimi</dc:creator>
		<dc:creator>Nagatomi, Ayumi</dc:creator>
		<dc:date>2010-04-21T08:16:23+05:00</dc:date>
		<dc:relation>21F.504</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-401-german-i-fall-2008">
		<title>21F.401 German I (MIT)</title>
		<description>This course gives an introduction to German language and culture. The focus is on acquisition of vocabulary and grammatical concepts through active communication. Audio, video, and printed materials provide direct exposure to authentic German language and culture. A self-paced language lab program is fully coordinated with the textbook/workbook. The first semester covers the development of effective basic communication skills.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=c2a45838fb0b5d53d277f65eb02e8ca8</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-401-german-i-fall-2008</pheedo:origLink>
		<dc:creator>Weise, Peter</dc:creator>
		<dc:date>2009-05-22T16:56:34+05:00</dc:date>
		<dc:relation>21F.401</dc:relation>
		<dc:relation>21F.451</dc:relation>
		<dc:relation>21F.471</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>German language</dc:subject>
		<dc:subject>culture</dc:subject>
		<dc:subject>grammar</dc:subject>
		<dc:subject>vocabulary</dc:subject>
		<dc:subject>speaking</dc:subject>
		<dc:subject>writing</dc:subject>
		<dc:subject>communication</dc:subject>
		<dc:subject>reading</dc:subject>
		<dc:subject>listening</dc:subject>
		<dc:subject>introductory</dc:subject>
		<dc:subject>dictation</dc:subject>
		<dc:subject>geography</dc:subject>
		<dc:subject>student projects</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-716-introduction-to-contemporary-hispanic-literature-fall-2007">
		<title>21F.716 Introduction to Contemporary Hispanic Literature (MIT)</title>
		<description>This course studies representative twentieth and twenty-first-century texts and films from Hispanic America and Spain. Emphasis is on developing strategies for analyzing the genres of the novel, the short story, the poem, the fictional film, and the theatrical script. The novels read this semester are Magali Garc&amp;iacute;a Ramis's Felices d&amp;iacute;as, T&amp;iacute;o Sergio (1986, Puerto Rico) and Javier Cercas's Soldados de Salamina (2001, Spain). We will study Lorca's play "La casa de Bernarda Alba" (1936, Spain), films from Spain, M&amp;eacute;xico, and Cuba, poems by Dar&amp;iacute;o (Nicaragua), Machado (Spain), Lorca (Spain), Hern&amp;aacute;ndez (Spain), Vallejo (Per&amp;uacute;), Cernuda (Spain), and Luis Pal&amp;eacute;s Matos (Puerto Rico), and short stories from M&amp;eacute;xico (by an exiled Spanish writer), Chile, Argentina, and Cuba. Thematic emphasis is on the Spanish Civil War, changing attitudes toward gender, the Spanish-speaking Caribbean, and the history of race in the Americas.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=1cc97d015f92935af749d1fcf808be50</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-716-introduction-to-contemporary-hispanic-literature-fall-2007</pheedo:origLink>
		<dc:creator>Garrels, Elizabeth</dc:creator>
		<dc:date>2009-01-28T16:26:28+05:00</dc:date>
		<dc:relation>21F.716</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>introduction</dc:subject>
		<dc:subject>hispanic</dc:subject>
		<dc:subject>contemporary</dc:subject>
		<dc:subject>literature</dc:subject>
		<dc:subject>Magali Garcia Ramis</dc:subject>
		<dc:subject>Javier Cercas</dc:subject>
		<dc:subject>Rub?n Dar?o</dc:subject>
		<dc:subject>Luis Bu?uel</dc:subject>
		<dc:subject>Salvador Dal?</dc:subject>
		<dc:subject>Un chien andalou</dc:subject>
		<dc:subject>Antonio Machado</dc:subject>
		<dc:subject>Federico Garc?a Lorca</dc:subject>
		<dc:subject>Miguel Hern?ndez</dc:subject>
		<dc:subject>C?sar Vallejo</dc:subject>
		<dc:subject>La casa de Bernarda Alba</dc:subject>
		<dc:subject>Max Aub</dc:subject>
		<dc:subject>El remate</dc:subject>
		<dc:subject>Felices d?as</dc:subject>
		<dc:subject>T?o Sergio</dc:subject>
		<dc:subject>Luis Pal?s Matos</dc:subject>
		<dc:subject>Soldados de Salamina</dc:subject>
		<dc:subject>David Trueba</dc:subject>
		<dc:subject>Rafael S?nchez Mazas</dc:subject>
		<dc:subject>Ciriaco P?rez Bustamante</dc:subject>
		<dc:subject>Marilyn Bobes</dc:subject>
		<dc:subject>Ingrid Kummels</dc:subject>
		<dc:subject>Ic?ar Bolla?n</dc:subject>
		<dc:subject>Flores de otro mundo</dc:subject>
		<dc:subject>La vida es silbar</dc:subject>
		<dc:subject>Jorge Luis Borges</dc:subject>
		<dc:subject>Rosario Ferr?</dc:subject>
		<dc:subject>Roberto Bola?o</dc:subject>
		<dc:subject>short story</dc:subject>
		<dc:subject>novel</dc:subject>
		<dc:subject>latin american experience</dc:subject>
		<dc:subject>spanish</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
	<item rdf:about="http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-059-european-thought-and-culture-spring-2008">
		<title>21F.059 European Thought and Culture (MIT)</title>
		<description>This subject surveys main currents of European cultural and intellectual history in the modern period. Such a foundation course is central to the humanities in Europe. The curriculum introduces a set of ideas and arguments that have played a formative role in European cultural history, and acquaints them with some exemplars of critical thought. Among the topics to be considered: the critique of religion, the promise of independence, the advance of capitalism, the temptations of Marxism, the origins of totalitarianism, and the dialects of enlightenment. In addition to texts, we will also discuss pieces of art, incl. paintings and film.</description>
		<link>http://www.pheedcontent.com/click.phdo?i=6855679e36b44c3aa64daefc721c47b3</link>
		<pheedo:origLink>http://ocw.mit.edu/courses/foreign-languages-and-literatures/21f-059-european-thought-and-culture-spring-2008</pheedo:origLink>
		<dc:creator>Nolden, Thomas</dc:creator>
		<dc:date>2008-12-10T23:08:22+05:00</dc:date>
		<dc:relation>21F.059</dc:relation>
		<dc:language>en-US</dc:language>
		<dc:subject>Paradigms</dc:subject>
		<dc:subject>European</dc:subject>
		<dc:subject>Thought</dc:subject>
		<dc:subject>Culture</dc:subject>
		<dc:subject>History</dc:subject>
		<dc:subject>Protestant Reformation</dc:subject>
		<dc:subject>French Revolution</dc:subject>
		<dc:subject>Luther</dc:subject>
		<dc:subject>Descartes</dc:subject>
		<dc:subject>Kant</dc:subject>
		<dc:subject>Hegel</dc:subject>
		<dc:subject>Rousseau</dc:subject>
		<dc:subject>Smith</dc:subject>
		<dc:subject>Marx</dc:subject>
		<dc:subject>Freud</dc:subject>
		<dc:subject>Goya</dc:subject>
		<dc:subject>David</dc:subject>
		<dc:subject>Duchamp</dc:subject>
		<dc:subject>Schinkel</dc:subject>
		<dc:subject>Bach</dc:subject>
		<dc:subject>Goethe</dc:subject>
		<dc:subject>political theory</dc:subject>
		<dc:subject>philosophy</dc:subject>
		<dc:publisher>MIT OpenCourseWare http://ocw.mit.edu</dc:publisher>
		<dc:rights>Content within individual OCW courses is (c) by the individual authors unless otherwise noted. MIT OpenCourseWare materials are licensed by the Massachusetts Institute of Technology under a Creative Commons License (Attribution-NonCommercial-ShareAlike). For further information see http://ocw.mit.edu/terms/index.htm</dc:rights>
	</item>
</rdf:RDF>